“In their delivery of Tavener’s formal but deeply expressive chants, men only, women only, both combined, with and without harmony, Crossin and his colleagues were at their most disciplined and most serene.”
“The ensemble never faltered, and among the many fine soloists, Alexandra Stubberfield shone most brightly.”
“…the 2011 festival has brought together new, favourite and little-known older chamber works and given singing voices, whether solo or concerted, the consistently prominent place they deserve. That last statement is true, at least, when the festival’s resident choral group is as impeccably co-ordinated as Carl Crossin’s Adelaide Chamber Singers…”