Coming together and partnered by a 15-piece chamber group for Faure’s Requiem, the results only seemed to magnify. Under Crossin’s direction, there were no discontinuities at all but rather a wonderfully cohesive, focused choral sound.
Coming together and partnered by a 15-piece chamber group for Faure’s Requiem, the results only seemed to magnify. Under Crossin’s direction, there were no discontinuities at all but rather a wonderfully cohesive, focused choral sound.